Members of the Harry Fox Agency do not automatically collect royalties from the MLC. Rights owners are required to opt in to collect royalties from the MLC, either as a direct MLC member or through a third party like CMRRA or HFA. If you have not opted in for HFA to collect on your behalf […]
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Does this conflict with royalty collections from SoundExchange?
No, there is no conflict. SoundExchange is responsible for collection and distribution of royalties to artists and sound recording owners for performances of their recordings. This is separate from the MLC mandate to collect mechanical royalties for the publishing rights associated with the musical works.
Does this conflict with royalty collections from PPL?
No, there is no conflict. PPL collects and distributes money on behalf of performers and record companies for the use of their recorded music. This is separate from the MLC mandate to collect mechanical royalties for the publishing rights associated with the musical works.
Does this conflict with royalty collections from SOPROQ?
No, there is no conflict. SOPROQ collects and distributes royalties from the public performance and reproduction of sound recordings and music videos. This is separate from the MLC mandate to collect mechanical royalties for the publishing rights associated with the musical works.
Does this conflict with royalty collections from SOCAN?
SOCAN also has an international collections business, including collections from the MLC. You can be a client of either CMRRA or SOCAN for this purpose, but not both. If you have signed up with SOCAN for collections from the MLC or other International collections – for your reproduction rights specifically – then you should not […]
I’ve heard about a “black box” of royalties for unidentified songs that is being released to the MLC. Will signing up for your International Collections service help with this in some way?
Yes, CMRRA will register song ownership information on behalf of those clients who sign up for our International Collections service for the USA, and make claims to any royalties that exist for previously unidentified songs. There is a three year timeframe within which to make claims against these royalties, after which the payout of any […]
I’ve got sub-publishing agreements in territories outside of North America, should I sign up for your International Collections service?
You should only sign up for our International Collections service for territories in which you are not otherwise collecting royalties either yourself or via a sub-publisher. Please refer to section 4 of Schedule I of our affiliation agreement for further details.
Which countries are included within IMPEL’s Core Territories?
Switzerland, the United Kingdom and all states within the European Economic Area which includes Belgium, Bulgaria, Czechia, Denmark, Cyprus, Latvia, Lithuania, Luxembourg, Spain, France, Croatia, Italy, Poland, Portugal, Romania, Slovenia, Hungary, Malta, Netherlands, Iceland, Austria, Liechtenstein, Norway, Slovakia, Finland, Sweden, Germany, Estonia, Ireland, Greece. Albania, Andorra, Bosnia, Gibraltar, Kosovo, Macedonia, Moldova, San Marino, Serbia, and […]
Is there a timeline for the implementation of Phase 2 collections with IMPEL?
We are currently focused on implementing Phase 1 of our International Collections agreement with IMPEL. Expansion to Phase 2 territories will be confirmed at a later date, and is likely to follow in 2022.
International Collections FAQ
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