{"id":147170,"date":"2026-04-06T06:05:47","date_gmt":"2026-04-06T10:05:47","guid":{"rendered":"https:\/\/cmrra.ca\/?p=147170"},"modified":"2026-04-02T10:18:05","modified_gmt":"2026-04-02T14:18:05","slug":"de-la-chanson-au-streaming-guide-des-sources-de-revenus-musicaux-au-canada","status":"publish","type":"post","link":"https:\/\/cmrra.ca\/fr\/de-la-chanson-au-streaming-guide-des-sources-de-revenus-musicaux-au-canada\/","title":{"rendered":"De la chanson au streaming : guide des sources de revenus musicaux au Canada"},"content":{"rendered":"

Comprendre les sources de revenus musicaux est essentiel pour garantir une r\u00e9mun\u00e9ration ad\u00e9quate aux cr\u00e9ateurs et cr\u00e9atrices. Dans l\u2019\u00e9cosyst\u00e8me musical canadien, une m\u00eame chanson peut g\u00e9n\u00e9rer plusieurs types de redevances, chacune li\u00e9e \u00e0 un aspect du droit d\u2019auteur. \u00c0 la base, le droit d\u2019auteur conf\u00e8re au cr\u00e9ateur le droit exclusif de reproduire, d\u2019interpr\u00e9ter ou de publier sa cr\u00e9ation, ainsi que de d\u00e9cider s\u2019il souhaite \u00eatre r\u00e9mun\u00e9r\u00e9 lorsque des tiers l\u2019utilisent en tout ou en partie.<\/p>\n

Si vous avez compos\u00e9 une \u0153uvre musicale, collabor\u00e9 \u00e0 sa cr\u00e9ation ou particip\u00e9 \u00e0 son enregistrement, vous pourriez \u00eatre admissible \u00e0 des redevances provenant de diverses sources. Comme diff\u00e9rents organismes per\u00e7oivent des types de redevances distincts, il est important que les auteurs-compositeurs, les auteures-compositrices et les \u00e9diteurs comprennent bien le r\u00f4le des soci\u00e9t\u00e9s de gestion collective (SGC) pour s\u2019assurer de percevoir les sommes qui leur reviennent de droit. La CMRRA travaille avec les \u00e9diteurs de musique, y compris les auteures-compositrices et auteurs-compositeurs ind\u00e9pendants, pour administrer les droits de reproduction des \u0153uvres musicales.<\/p>\n

Dans le domaine musical, les revenus proviennent de deux types de droits d\u2019auteur :<\/p>\n

    \n
  1. La composition sous-jacente\u00a0: <\/strong>l\u2019\u0153uvre musicale elle-m\u00eame, comprenant la m\u00e9lodie et les paroles.<\/li>\n
  2. L\u2019enregistrement sonore\u00a0: <\/strong>la version enregistr\u00e9e de la chanson.<\/li>\n<\/ol>\n

    Les titulaires de droits d\u2019auteur peuvent conc\u00e9der leurs \u0153uvres sous licence afin que des tiers puissent reproduire, ex\u00e9cuter, enregistrer ou int\u00e9grer de la musique \u00e0 de nouveaux projets. Voici un aper\u00e7u des principales sources de revenus au Canada\u00a0:<\/p>\n

    Droits de reproduction\u00a0: <\/strong>ils r\u00e9gissent la r\u00e9alisation de copies d\u2019une \u0153uvre musicale ou d\u2019un enregistrement sonore. Cela englobe les supports mat\u00e9riels, comme les CD ou les vinyles, ainsi que les reproductions num\u00e9riques, comme les t\u00e9l\u00e9chargements et l\u2019\u00e9coute en continu.<\/p>\n

    Droits d\u2019ex\u00e9cution : <\/strong>ils permettent la diffusion ou la repr\u00e9sentation d\u2019une \u0153uvre musicale en public, que ce soit au cours de concerts en direct, d\u2019\u00e9missions radiophoniques ou sur des services de diffusion en continu.<\/p>\n

    Droits voisins<\/strong>\u00a0: ils s\u2019appliquent \u00e0 la diffusion publique ou \u00e0 la retransmission d\u2019enregistrements sonores, et garantissent une r\u00e9mun\u00e9ration aux artistes-interpr\u00e8tes et aux maisons de disques lorsque les enregistrements sont diffus\u00e9s en public, par exemple dans des \u00e9tablissements commerciaux ou \u00e0 la radio.<\/p>\n

    Droits de synchronisation<\/strong>\u00a0: ils concernent l\u2019utilisation de la musique dans des supports visuels, tels que les films, les \u00e9missions de t\u00e9l\u00e9vision, les publicit\u00e9s ou les jeux vid\u00e9o. En r\u00e8gle g\u00e9n\u00e9rale, les \u00e9diteurs de musique n\u00e9gocient des licences sp\u00e9cifiques pour ces usages.<\/p>\n

    Droits de synchronisation audiovisuelle\u00a0:<\/strong> ils s\u2019appliquent aux copies de musique cr\u00e9\u00e9es \u00e0 partir de la reproduction de contenus audiovisuels, apr\u00e8s que la musique a \u00e9t\u00e9 initialement synchronis\u00e9e avec ces contenus, par exemple sur YouTube, TikTok, Instagram ou les services de diffusion en continu vid\u00e9o.<\/p>\n

    Si chacune de ces sources de revenus a un r\u00f4le pr\u00e9cis dans l\u2019\u00e9cosyst\u00e8me musical, elles contribuent toutes \u00e0 la r\u00e9mun\u00e9ration des artistes lorsque leurs cr\u00e9ations sont utilis\u00e9es. Pour les auteurs-compositeurs, les auteures-compositrices et les \u00e9diteurs, comprendre l\u2019origine de ces redevances est une \u00e9tape importante pour s\u2019assurer qu\u2019aucun revenu ne reste impay\u00e9.<\/p>\n

    Des questions ? Communiquez avec nous \u00e0 inquiries@cmrra.ca<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

    Comprendre les sources de revenus musicaux est essentiel pour garantir une r\u00e9mun\u00e9ration ad\u00e9quate aux cr\u00e9ateurs et cr\u00e9atrices. Dans l\u2019\u00e9cosyst\u00e8me musical […]<\/p>\n","protected":false},"author":7,"featured_media":147171,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[256],"tags":[],"class_list":["post-147170","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog"],"yoast_head":"\nDe la chanson au streaming : guide des sources de revenus musicaux au Canada - CMRRA<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cmrra.ca\/fr\/de-la-chanson-au-streaming-guide-des-sources-de-revenus-musicaux-au-canada\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"De la chanson au streaming : guide des sources de revenus musicaux au Canada - CMRRA\" \/>\n<meta property=\"og:description\" content=\"Comprendre les sources de revenus musicaux est essentiel pour garantir une r\u00e9mun\u00e9ration ad\u00e9quate aux cr\u00e9ateurs et cr\u00e9atrices. 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