Yes, the new Electronic Song Registration Form is in the format of an Excel spreadsheet.
Chercher les résultats pour: when
I’ve submitted my catalogue, when will it be visible in the CMRRA Direct portal?
In general, it can take between 2 and 4 weeks. Delays may occur for a number of reasons, such as an IPI number request, data issues in the form, or other types of manual review that may be needed.
When will CMRRA begin to issue mechanical licences for other labels via LDS?
Work has been done to support licensing in LDS of independent labels who have signed CMRRA’s Mechanical Licensing Agreement (MLA). We will begin to issue licences via LDS to these labels by the Fall of 2015. Licensing of Pay-as-you-press manufacturers in LDS requires additional development work that is scheduled for early 2016, following the conversion […]
I have located my Work, and while there is information contained in the License Responses grid, when I click the View option to see the associated Licence Details, the details do not appear. Why?
There are several reasons why Licence Details may not exist. Below is a list of possible scenarios, where in all cases the work in question has been matched to a track on the release in question, but no licences have been issued: InHouse and Direct Licence situations – If there is an in-house licensing relationship […]
Where do I find my CMRRA account number?
Your CMRRA account number can be found in the original email from the Client Services team with the countersigned copy of your affiliation. It can also be found when logged into the CMRRA Direct portal. If unable to locate your account number please email [email protected].
If I’m self-published with my own CMRRA publisher account, which Role type would I select?
When entering your CMRRA publisher account number select Role type ‘E’. When entering songwriter information select Role ‘CA’ ‘C’ ‘A’, or ‘AR’.If you are a self-published songwriter, it is important to include both your CMRRA publisher account, as well as your songwriter information (name & IPI number). These are two separate contributors on two separate […]
Avant-scène : Emma Brown
Ce mois-ci, la rubrique Avant-scène présente Emma Brown, préposée aux licences en ligne. La carrière d’Emma à la CMRRA a commencé en 2006, tout juste après avoir obtenu un diplôme du programme d’arts et industries de la musique du Collège Fanshawe. Depuis, son rôle a évolué parallèlement au passage de l’industrie musicale aux plateformes numériques. […]
Front of House with Emma Brown
Our Front of House feature this month is on Emma Brown, Online Licensing Administrator. Emma’s career at CMRRA began in 2006, right after she graduated from Fanshawe College’s Music Industry Arts program. Since then, her role has evolved alongside the music industry’s shift to digital platforms, and she values being part of a dedicated and […]
Profil: Linda Gallico et Bill Preciado de Realsongs
By Isabelle Speerin If you’ve ever been to a wedding, fallen in love, or had your heart broken, there’s a very good chance you know the words to one of Diane Warren’s songs. Queen of the power ballad, her star on the Hollywood Walk of Fame was earned for a reason. She’s one of the most […]
Spotlight: Reluctant Cowboy Music’s Troy Kokol
by Jon Dekel CMRRA is examining the future in 2022. With change as a constant in our world right now, we examine the future opportunities in music publishing. We’re asking leaders in the music publishing space what is next. What changes are happening at their companies right now? What are their predictions? Is there a song that […]
